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Kingdoms of Amalur: Reckoning
Game (2012)
Kingdoms of Amalur: Reckoning is an epic, open-world role-playing game set in Amalur, a mysterious and magical new fantasy world created by New York Times best-selling author R. A. Salvatore. Brought to life visually through the trademark visceral style of renowned artist and Spawn creator Todd McFarlane, Reckoning brings a new level of intense action combat to the RPG genre. Forge your own destiny. You have been reborn, your future is unwritten. Now the fate of Amalur lies in your hands.
Game (2012)
Kingdoms of Amalur: Reckoning is an epic, open-world role-playing game set in Amalur, a mysterious and magical new fantasy world created by New York Times best-selling author R. A. Salvatore. Brought to life visually through the trademark visceral style of renowned artist and Spawn creator Todd McFarlane, Reckoning brings a new level of intense action combat to the RPG genre. Forge your own destiny. You have been reborn, your future is unwritten. Now the fate of Amalur lies in your hands.
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Content at a glance
More filled segments mean stronger content.
Sex & Nudity
Some female characters and monsters wear revealing outfits, and avatars can be seen in their underwear.
Violence & Gore
Combat involves bladed weapons, bows, and magic with blood gushing from enemies and vicious assassination attacks.
Profanity
The editorial review marks strong language as absent.
Alcohol, Drugs & Smoking
The editorial review marks alcohol, drugs and smoking as absent.
Frightening Scenes
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Other things to know
Three modes of difficulty let players select a suitable level of challenge.
Positives & learning
More filled segments mean stronger positive content or learning value.
Positive messages
The story focuses on concepts like fate and freedom, though it also glamorizes fantasy combat.
Role models
Players can customize their protagonist and are nudged toward good acts, though aggressive behavior is also required.
Representation
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Learning
Families can discuss some of the ideas presented in this game such as the notion of fate versus free will.
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